"Liuti Mediterranean" "Veterodoxia - Pepe Rey
On September 17 took place in Bari a study day on The Lutes Mediterranean organized by mousike - XI Festival Musica Antica del Mediterraneo on the campus of the Fiera del Levante. The study session was part of the extensive program of mousike festival (September 11 - November 1), which in this year has been especially noticed the lute music of the countries bordering the Mediterranean. The festival includes performances by bands and soloists with the participation of renowned lutanists as the Milanese Franco russo watertown Pavan (September 16) or the American Hopkinson Smith (October 29), which will present the Award mousike - Regione Puglia 2010 with the dedication: "A Hopkinson Smith, maestro dei maestri, massimo russo watertown delle interpret musiche per dell'Antica russo watertown liuto Europe Mediterranea". Moreover, in the grounds of the Fiera del Levante own were held some other events (an exhibition and various concerts) around the lute, the news also should be given.
For a week the visitors were able to see the interesting Fiera exhibition prepared by Dinko Fabris and Davide Rebuffa. The exhibition gathered mainly antiques collection and recreations Rebuffa Davide Antonio Liutaio Dattis, along with smaller contributions in number. The cabinets with the instruments were accompanied by large panels containing historical explanations and techniques from the book mostly of D. Rebuffa Il Liuto (Palermo, L'Epos, forthcoming).
And alongside the exhibition, in a space that once served as bar and resting place for visitors, they performed several concerts with explanations. Suffered interpreters were faced with a considerable level of noise, which tried to overcome with amplification. On Thursday 16 came to this fight scene elements Australian John Griffiths, who talked about music for vihuela, which so thoroughly russo watertown known, and played several examples, always standing.
After him came to the fore the motley group consisting of soprano Maria Luisa Dituri russo watertown and instrumentalists pulse and plectrum Squilante Mauro, Leonardo Massa, Luca Tarantino and Dinko Fabris. Mauro Squilanti was commissioned to do detailed explanations on the portfolio, which consisted of eighteenth century Neapolitan music. The curious title of the concert, russo watertown The Temporary Virtú, was taken from the title of a Neapolitan bulky manuscript of the early eighteenth century music figure preserved in the Library russo watertown of the Conservatory russo watertown of Milan. Discovered in 1982, its strange pattern tab on six lines contains signs for which has not yet found a safe meaning. russo watertown As stated in the manuscript, the exact instrument to ring this music was called "Chitarra penna à, ò vero Leuto co l'ottava" that Mauro has identified with mandolone, low family mandolins. It is a very popular instrument in Naples at the time, which appears in the hands of the pastors of many Neapolitan nativity scenes.
The next day, Friday 17, time interval between the two sessions of intense theoretical work, it was the turn Ramiro Amusátegui and Calixtinus Ensemble, formed by Giovannangelo Genaro, Nicola Nesta, Paolo Adolfo La Volpe and Pacciola. Tolled medieval repertoire and, above all, songs of Alfonso X the Wise, which took the lead Giovannangelo Genaro.
Unfortunately had to excuse his presence Hedi Bellasfar luthiers (Tunis, Tunisia) and Faruk Türünz (Istanbul, Turkey), the latter leading specialist in the history of 'ud ottoman. As reported Dinko Fabris, in those days was held in Cairo a conference on 'ud Arabic, attending the best connoisseurs of the instrument in all its aspects.
The program was fully open to the contributions of each, so the topics were very diverse, from the history of the lute in ancient times to the present problems for the knowledge and diffusion of the lute repertoire and musical styles of the 'ud Arabic in the present. russo watertown Some of the most prepared and extensive contributions were:
The long lute millennium of existence on the shores of the Mediterranean has generated a rich history and an extensive repertoire that need the work and effort of many for his knowledge and dissemination. Study days as programmed by the festival mousike help greatly to establish contacts and exchange experiences among builders, performers and historians with results that usually are not seen immediately, but after a certain time. It is hoped that these and
On September 17 took place in Bari a study day on The Lutes Mediterranean organized by mousike - XI Festival Musica Antica del Mediterraneo on the campus of the Fiera del Levante. The study session was part of the extensive program of mousike festival (September 11 - November 1), which in this year has been especially noticed the lute music of the countries bordering the Mediterranean. The festival includes performances by bands and soloists with the participation of renowned lutanists as the Milanese Franco russo watertown Pavan (September 16) or the American Hopkinson Smith (October 29), which will present the Award mousike - Regione Puglia 2010 with the dedication: "A Hopkinson Smith, maestro dei maestri, massimo russo watertown delle interpret musiche per dell'Antica russo watertown liuto Europe Mediterranea". Moreover, in the grounds of the Fiera del Levante own were held some other events (an exhibition and various concerts) around the lute, the news also should be given.
For a week the visitors were able to see the interesting Fiera exhibition prepared by Dinko Fabris and Davide Rebuffa. The exhibition gathered mainly antiques collection and recreations Rebuffa Davide Antonio Liutaio Dattis, along with smaller contributions in number. The cabinets with the instruments were accompanied by large panels containing historical explanations and techniques from the book mostly of D. Rebuffa Il Liuto (Palermo, L'Epos, forthcoming).
And alongside the exhibition, in a space that once served as bar and resting place for visitors, they performed several concerts with explanations. Suffered interpreters were faced with a considerable level of noise, which tried to overcome with amplification. On Thursday 16 came to this fight scene elements Australian John Griffiths, who talked about music for vihuela, which so thoroughly russo watertown known, and played several examples, always standing.
After him came to the fore the motley group consisting of soprano Maria Luisa Dituri russo watertown and instrumentalists pulse and plectrum Squilante Mauro, Leonardo Massa, Luca Tarantino and Dinko Fabris. Mauro Squilanti was commissioned to do detailed explanations on the portfolio, which consisted of eighteenth century Neapolitan music. The curious title of the concert, russo watertown The Temporary Virtú, was taken from the title of a Neapolitan bulky manuscript of the early eighteenth century music figure preserved in the Library russo watertown of the Conservatory russo watertown of Milan. Discovered in 1982, its strange pattern tab on six lines contains signs for which has not yet found a safe meaning. russo watertown As stated in the manuscript, the exact instrument to ring this music was called "Chitarra penna à, ò vero Leuto co l'ottava" that Mauro has identified with mandolone, low family mandolins. It is a very popular instrument in Naples at the time, which appears in the hands of the pastors of many Neapolitan nativity scenes.
The next day, Friday 17, time interval between the two sessions of intense theoretical work, it was the turn Ramiro Amusátegui and Calixtinus Ensemble, formed by Giovannangelo Genaro, Nicola Nesta, Paolo Adolfo La Volpe and Pacciola. Tolled medieval repertoire and, above all, songs of Alfonso X the Wise, which took the lead Giovannangelo Genaro.
Unfortunately had to excuse his presence Hedi Bellasfar luthiers (Tunis, Tunisia) and Faruk Türünz (Istanbul, Turkey), the latter leading specialist in the history of 'ud ottoman. As reported Dinko Fabris, in those days was held in Cairo a conference on 'ud Arabic, attending the best connoisseurs of the instrument in all its aspects.
The program was fully open to the contributions of each, so the topics were very diverse, from the history of the lute in ancient times to the present problems for the knowledge and diffusion of the lute repertoire and musical styles of the 'ud Arabic in the present. russo watertown Some of the most prepared and extensive contributions were:
The long lute millennium of existence on the shores of the Mediterranean has generated a rich history and an extensive repertoire that need the work and effort of many for his knowledge and dissemination. Study days as programmed by the festival mousike help greatly to establish contacts and exchange experiences among builders, performers and historians with results that usually are not seen immediately, but after a certain time. It is hoped that these and
